“But one thing the whole “Karen” thing did, which I think was very good, was that it pointed out the existence of spaces Ostensibly open to everyone, but not, and then patrolled often by white women saying you don't belong here. And she got a name, and people with that name wince and rightfully so, but without that wince-worthy kind of situation, I don't think large numbers of Americans would realize that there really is a sort of silent apartheid in our public spaces.”

“What is that instinct that might be asking me to do something really unadvisable or radical or leap outside the bounds of my own life? And that's the space by which I think we move forward in life. And that's the space in which I think we move forward honestly on the page and in writing. And I tell people, you know, what is it that you want to explore in your writing? Like the page is this beautiful opportunity to start taking some big risks, whether it's persona poetry, where you're literally writing in a different voice, or you're naming something that cannot be held in any other space available to you, or you're testing out just an idea that you're not ready to say out loud. The page is this really beautiful field that gives us a lot of courage to then apply that, I think, to our actual lives.”

“You want to find yourself? Give. We're not hungry for what we're not getting. We're hungry for what we're not giving. And then at the same time, you watch this old pattern of guarding what you have and of watching your mother take the leftovers and your mother taking leftover food and taking the piece of cake that broke in half while it was being served and taking the lesser car and taking whatever time is left for her to get her needs met. And so, you know, all truth is a paradox. And that's really what I believe is that I really, really give, but because I'm healing the codependence, I'm healing the self doubt, I'm giving from a place that is abundant because I live in gratitude. I notice how much I have been poured into, crazy love from a number of different directions. And I give that away. I don't give from my place of deprivation.”

“From my perspective, one of the reasons we tell stories is it helps give us a sense of who we are, we use stories to affirm our identity. And that's part of the reason why we don't actually like to call them stories, because if we call them stories, and we begin to see that the self is actually rooted in construction, made up interpreted reality, it can be very threatening to us and to our sense of who would I be without this story. And so that's one of the things that I really love about this is you can begin to see that my sense of self has to change, if I'm willing to look at my stories, what is going to happen is my sense of who I am is going to change.”

“I think historically we have always seen that intergenerational partnership is the way that movements grow and expand and the way people feel resilient about what they're trying to accomplish. The first defeat as a young person, when you feel your morals are on the line, your sense of justice is on the line, that is such a devastating blow and you really need people who've been doing this work for a long time to say, yeah, you're right. That's how that feels. It sucks. It hurts so bad. And this is how, when it happened to me, I got up again and I kept fighting. There is no future for progress without that kind of perspective. You need the fiery engagement of young people and you need the sense of history and the sense of perspective that older people can provide.”

“Part of middle life is that hopefully there's a little bit of wisdom there. And I think that is part of what we gain as we go through this journey of life is that there is wisdom that's accrued, which allows us to exist a little bit more in the complexity and nuance of things. I believe so much of this work is that we have to hold grace and compassion. And we also have to hold ownership and accountability and responsibility. And I feel that way, right? It's like, okay, if there's something that happened in our childhood or something happened in our teenage years, something that happened in our twenties, right? It's hard to process those things really early on. And especially when we're younger and really immature, because the lens is so narrow. I think as we grow and hopefully as we get wiser, that the lens opens.”

“It's important to realize that yes, menopause can come with symptoms, but the symptoms are not alien symptoms. We've seen them before. We've seen them at puberty. We've seen them at pregnancy, if you've been pregnant. We've been there before. And I like to say that menopause is just another tune that we learn to dance to, right? We can do it. We will navigate it. The point is let's make sure that we have the right information, that we understand how it works and that we're aware of the solutions because there are so many women who decide how to navigate menopause based on information that is not unfortunately accurate, it is not up to date. So a lot of decisions are really based on fear rather than facts and then there's regret.”

“Historically, there's no such thing as a pure tradition. And I also think as human beings, we transcend these religions and we transcend these cultures. And so the cherry picking is an affirmation of our transcendence. It's like, no, you are more than your religious tradition. You are more than your culture. You are more than your body. And you are also your body and your religion and your culture. Yes, yes, yes, all that. But you are also more. So I think, again, the power of the modern period is that we're all so super connected and in communication with everything that we know that, we know that in a way that we didn't know that, you know, four or five-hundred years ago.”

Hi, it’s Elise Loehnen, host of PULLING THE THREAD. Today, it’s just me. I’m sharing five things I’ve been thinking about a lot—from understanding how to quantify and charge for one’s time, what to consider before starting a new creative project, and the art of a gentle no. I’m also answering some of your questions—about judgment, sanity, and the etymology of “should.”

“Turquoise is looking for how do we bring back the village? How do we live in community again? Why are we living in these separate houses? We're not sharing resources. Everyone on the street has a snowblower, a lawnmower, you know, like the design isn't elegant, it's not an elegant design. And so I think the mind of yellow joins into turquoise and as it has studied systems, it contributes to that and we are looking for more holistic, elegant solutions to give birth to a new culture. It's like we can no longer continue down the path. And at turquoise, we are going to have to sacrifice for the whole.”